From 101 Creative Writing Exercises: Cut-and-Paste Poetry – by Melissa Donovan…

Chris The Story Reading Ape's Blog

on Writing Forward:

Today’s poetry writing exercise comes from my book 101 Creative Writing Exercises.

The exercises in this book encourage you to experiment with different forms and genres while providing inspiration for publishable projects and imparting useful writing techniques that make your writing more robust.

This exercise is from “Chapter 8: Free Verse.” It’s titled “Cut-and-Paste Poetry.”

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Securing Audiobook Rights: The Rights You Need to Bring Your Audiobook to Market – by Matt Knight…

Chris The Story Reading Ape's Blog

on Jane Friedman Site:

Audio rights used to be the ugly stepsister of publishing rights, often thought of as throwaway rights to be included with a group of other secondary rights in a publishing deal. If you think back to when audiobooks made their big splash in the early 1970s with audiocassettes and Books On Tape, the market was small. Production costs were high. Even with technological advances, like the Walkman, audiobooks were still a lackluster investment for publishers.

It wasn’t until the mid-1990s with the Internet and huge advances in mobile technologies that audiobooks sales began to boom, transforming audio rights into the Cinderella rights of many book publishing deals.

At the end of 2019, audiobook sales were up 16 percent, marking the eighth year of double-digit growth in a row. 2020 is looking equally as promising. That’s a hot marketplace ticket. So, it makes sense that authors want…

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15 Magazines That Will Publish (And Pay For) Your YA and Children’s Stories – by Farrah Daniel…

Great information!

Chris The Story Reading Ape's Blog

on The Write Life:

You’ve written and revised your children’s and YA stories more than you can count. Only your trusted circle has witnessed the magical way you weave words together to create fictional and nonfictional worlds for tiny humans — yet, everyone tells you more people need to read your children’s and YA stories.

For most writers (or any artist), putting your work out there isn’t an easy step to take, no matter how celebrated you are.

But while it’s daunting to submit a story to a publication — hearing people’s opinions of your work, eek! — it’s also necessary for great practice for all aspiring authors who eventually want to figure out how to get a literary agent.

Whether you write short stories, personal essays, poems or stories for kids, there are tons of magazines that will help bring your story to life for the eager…

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Ani’s Advent 2020! The Visit

The Small Dog

Dear Santa…

This year is all a bit weird. This coronavirus malarkey is upsetting everyone and keeping them apart, especially when they want and need to be together. I’m pretty sure, if you could manage it, taking the bug away would go down better than delivering present this year. I mean, look at all the wonderful things we are missing…

Much love,

Ani xxx

dawn 001

‘Twas a fortnight till Christmas
And all through the flat
Not a creature was stirring
She’s glad about that…

She’d had quite enough
Throwing balls for the day
And had told me concisely
To put them away.

The birds in the garden
All slept for the night,
(I’d sorted the pigeons…
They’d put up a fight)

The fish had been fed
And now hid in the weed,
I snored on the sofa,
She curled up to read.

Then all of a sudden
A knock on the…

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Mysterious Phishing Scam for Authors!

Just Can't Help Writing

Big dialogue bubble in a blue sky with a red question mark inside.

Via today’s New York Times, there’s an extremely strange phishing epidemic that affects both established, big-name authors and newbies alike—basically anybody involved in a querying and/or publication cycle. Someone is impersonating editors and agents, requesting drafts of manuscripts in progress toward publication, then “disappearing” the manuscripts. No one thus far has an adequate theory as to what happens to the drafts that have been stolen. They’re not being published online; there’ve been no ransom demands, no threatening follow-ups. The perpetrator seems to be someone with extensive expertise and contacts in publishing.

Since I’m not querying at the moment, I’m out of the loop that might be affected by this weird business, but it looks as if those of you who are should be extra vigilant. Confirm with your agents and editors that the requests for your latest draft are legitimate. Inspect email addresses carefully. A tactic appears to be…

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4 Essentials of Unforgettable Endings – by Laurence MacNaughton…

Chris The Story Reading Ape's Blog

on Fiction University:

A solid ending not only satisfies readers, but makes them eager to reader your next novel. Laurence MacNaughton shares four tips on how to write unforgettable endings.

It’s possible that more writers struggle with the ending of a story than the blank page at the beginning. The good news is, writing a terrific ending is easier than you think. Just follow these four steps.

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A Wizard’s Hat

Nicholas C. Rossis

Have you ever wondered where the pointy wizard hat stereotype stems from?

Someone on Quora did and Wendy Carolan had the answer.

Where Does the Idea of the Wizard’s Hat Come from?

As you can well imagine, the question here refers to the stereotypical pointy blue wizard’s hat with the stars and crescent moons, immortalized by Fantasia:

The Sorcerer's ApprenticeSource: FilmAffinity.com

Tall, conical hats have long been associated with magi and sorcery.

It’s been claimed that the cone-shaped hat traditionally worn by wizards is symbolic of wisdom and intelligence. Its pointed shape represents the cone of power, which is associated with the circle, the symbol of the sun, unity, eternity, rebirth, and the triangle. The conical hat allows the wizard to concentrate his sacred power so that he can be centered with a power that is infinite.

Whatever the basis for such claims, it’s true that pointed hats were frowned upon by…

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Your Dog[,] Smurf: Understanding Commas with Appositives – by CMOS Shop Talk…

Chris The Story Reading Ape's Blog

Grammatically speaking, “appositive” is a fancy word for “equivalent.” For example, when we refer to your dog Smurf, “Smurf” and “your dog” are appositives—the same thing (or animal, in this case) restated in different words.

And we know that Smurf can’t be your only dog, because the name isn’t preceded by a comma. Add one—“your dog, Smurf”—and it’s now clear that you have just the one dog.

Or is it?

Meaning isn’t determined by commas alone; it also depends on context. Moreover, of the two, context is usually the more important consideration; commas merely work in support of context. And that means commas aren’t always strictly necessary, even when you think they might be.

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